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Author Topic: late 15th C / early 16th C. Clothing reference sources?
Gwen
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posted 08-03-2006 11:58 AM     Profile for Gwen   Author's Homepage     Send New Private Message   Edit/Delete Post   Reply With Quote
I have a client who is getting married in December, and they are considering late 15th C. / early 16th C. German / Bohemian for their clothing.

Can anyone recommend reliable costume sources for this period? I could send them to paintings, but interpreting paintings is often difficult for those unaccustomed to it.

I could send them to the likes of Norris & Braun & Schneider but wonder if there is anything better available. I'm afraid I don't work with "costume books" much any more and have probably missed a few in the last couple of years. I'm hoping there's a ready resource for this period I just don't know about.

Thanks!

Gwen


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Nathan Hoin
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posted 08-03-2006 06:47 PM     Profile for Nathan Hoin     Send New Private Message   Edit/Delete Post   Reply With Quote
The Tudor Tailor is a really good resource for early 16th century clothing. Has info on social aspects of dress, construction, period fabric etc, as well as patterns for several outfits in the back. It's hasn't been released in the States yet, but I got a copy off of Amazon for $20. Highly recommend it.
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Gwen
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posted 07-19-2007 11:55 AM     Profile for Gwen   Author's Homepage     Send New Private Message   Edit/Delete Post   Reply With Quote
An update on the Tudor Tailor from a friend of mine in London:

'Today the latest copy of the Costume Society magazine arrived in which Jenny Tiramani, the former head of the Globe costume department ( a woman of immeasurable talents! She’s finishing Janet Arnold’s unfinished works—which is the most exalted place to be in the world of history of costume, as far as I’m concerned) wrote a critique of The Tudor Tailor— Let’s just say the kindest words she uses are ‘historically inaccurate despite misleading claims to the contrary’.'

That was my general feeling about the book when I saw it, but Tudor isn't my area of expertise so I figured it was just my ignorance. Maybe not.

Caveat Emptor


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Flittie
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posted 07-23-2007 08:28 AM     Profile for Flittie     Send New Private Message   Edit/Delete Post   Reply With Quote
Gwen, what problems did you note with the Tudor Tailor?

I am a novice costumer with an interest in English and Scottish Lowland lower-class clothing for the first half of the 16th century. I bought a copy of the Tudor Tailor after many people recommended it. For my purposes it's been useful, as I don't know of other guides on early to mid-16th-century lower-class clothing. I can make better use of the Tudor Tailor if I know what the problems are. I don't take any single book as having The Complete And Absolute Truth, but the Tudor Tailor has helped me make sense of lower-class costume in period artwork. I suspect it will remain the standard guide for beginners like me until something better comes along.


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Gwen
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posted 07-23-2007 03:27 PM     Profile for Gwen   Author's Homepage     Send New Private Message   Edit/Delete Post   Reply With Quote
Hi Flittie-

Rather than offer my own poor comments, I defer to Jenny Tiramani on this one, as she's the expert! I'm waiting for a copy of the Costume Society review so I can see what her specific problems withthe book are. My friend is sending me a copy, but it shouldn't be that difficult to get a copy of the review through a library.

It's probably as good a resource as the Medieval Tailor's Assistant- as you say, until something better comes along.

Gwen


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Flittie
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posted 07-24-2007 10:36 AM     Profile for Flittie     Send New Private Message   Edit/Delete Post   Reply With Quote
Gwen, I look forward to your description of Jenny Tiramani's review. Of course, to fully understand the review, it would be helpful to know the context. In other words, Jenny Tiramani is a professional costumer in the UK. Ninya Mikhaila and Jane Malcolm-Davies, the authors of the Tudor Tailor, are also professional costumers in the UK. All three are part of what I presume is a relatively small professional community. I wonder if any professional/academic/personal/group political issues may be involved, even if unconsciously. Such things are *not* grounds for dismissing a negative review, but a negative review means more to me when it comes from someone who is neutral or sympathetic toward the authors rather than someone who has been consistently antipathetic.
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